As Ermenegildo Zegna leaps out of the tailor’s house machine towards a repurposed male wardrobe diffused from workwear and sportswear, Z Zegna meets him from the side other. This second line, which has repositioned itself for the introduction of the Zegna Sport gradual collection, a few seasons ago (especially the ones seen in Pitti’s pavilion) has greatly followed the “Technical. “There was a lot of really techy clothing here, but there was also a new emphasis on tailoring that hadn’t been seen at this label for a while.
Alessandro Sartori’s favorite was a jacket with a novel scarf collar and several others in a slim fit but this was a large 1.5 breasted shape. For them some played some outerwear and knots that had the saliva very non-technical: peacoats, high coats with high collars, long ribbed cardigans (sometimes stripped over jackets, which was mind-melting), and swoopy plaid shawls in an abstract botanical pattern. All of these were delivered in mid-autumn ruset to a charcoal pallet.
There were some great pieces that came from workwear as well, including some dreamy woolen clothes and chore jackets with zip down. The last voice in the chorus was that technical outfit. Multi-pocket jackets in merino were water-treated – even had a merino skirt – with removable skirts and were stuck against integral combat pants and even fighting beanies (with zippered pockets) for those want to join full SWAT team.
Jackets came down in unusual shapes thanks to pre-shaped wool and nylon padding and then quilted wraps. Again, this was an ambitious sustainable collection, as 75% of all materials were recycled, and these down jackets were feather – free. You can see that Sartori is working to cultivate a hierarchical costume ecology in which the various lines of male attire all match fair to be ordered, sculpted, and rewritten into a template. new for clothing which is greater than the sum of its parts. .