Please watch Saul Nash’s video before reading one more word. There. If you never return to this endeavor to put his film into words, no matter: For whoever you are, you will have felt it and will never forget it. Which is much, much more than enough for an emerging young designer like Saul Nash to have expressed his intentions. Then again, there is no one like Saul, who is more than just a sports costume designer, a dancer, a dance director, a movement director for other designers, and a director and speaker for the calm brotherhood of his contemporaries. young, suspects.
This is all used without a word in the video he called “Twist,” made by FX filmmaker Cody, Nash’s partner. It begins with the sight of a group of boys, in which the two men in the middle are facing each other, facing each other. “Doing this is about a lot of the things I’ve been through myself. Often, when you see men in groups, there is a preconceived notion of what you think of them. You never see the nuances and in-betweens. So I wanted to awaken this version of the film, where you expect one thing about these people, but by watching the film further, your thoughts on them are completely built. ” The twist in the tension is that the two men, instead of hitting or pulling knives or guns at each other, start kissing. It is a long, tender and beautiful kiss. “You think there will be a change, but this is the time for love. Two kisses are really taboo where I came from, ”says Nash. “So seeing the friends around them accept and accept that that’s the best way to go. ”
Nash grew up in north London and went to a school where there were Turkish boys, black boys, white boys. I wanted them to feel like everyday people. I have come to understand a lot of my work evoking feelings about the men I grew up with, ”he said. “I want to spread the word: Don’t judge a book by its cover. There are so many people around me who have dismissed my opinion of what they would think of my sexuality. ”
The “book covers” – these clothes – are an evolution of ergonomically designed sportswear and have evolved through his master’s degree at the Royal College of Art London, and three seasons followed by Lulu Kennedy Fashion Show promotions. Now he’s out on his own, but has earned a six-month residency, with studio space at Somerset House. “Yeah, I’m very happy. I feel like there is a broad spirit, when something can go down the drain, the spirit lifts us back up and makes sure we get through. ”
As a dancer, he applies his in-house experience of performance to transformative buildings by installing ventilation zones and zippers that are quickly released for bodies in action. In its mission to promote the canon of sportswear as an action and desirable fashion, it is also prone to the environmental problems that are part of the use of synthetics. It has replaced organic cotton and replaces microfiber emitting materials “as much as possible,” using technical, branded materials such as Primaloft. made partly from recycled materials. ”
Saul Nash takes responsibility for saying things that empower social well-being, as well as working to mitigate ecological impact. It conveys a message and practice within his work which – with the men he casts, and the group of Black British creative friends involved in the production of his films – rising far beyond London. “Yes, I was raised in London, but it’s a universal story. I think he should talk to anyone in cities around the world, ”he thinks. “Everywhere there are similarities that are pulling in each other. ”