Miuccia Prada has embraced the digital runway and is not ready to skip her lessons when the epidemic is over
MILAN – Miuccia Prada has embraced the digital runway and is not ready to skip his lessons when the epidemic is over.
Prada showed off her first fall-winter collaboration with Raf Simons on Thursday, the camera following models as they traversed architectural spaces of marble floors and walls covered with faux fur. It wasn’t the usual parade of scenes seen from a fixed position, but the camera allowed close-ups to the collection and a closer look at details, suggesting repetition to consider and new angles. could be observed in a full showroom.
As a runway display goes down with the lights on the final scene, the digital display needs another step: Capturing the detail that “creates a feeling,” Prada said in a statement. streaming conversation after the digital presentation.
“Of course, we can go back to reality,” she said, referring to the post-pandemic world. “But … this should not be missed. It was a lot more effort but a lot more interesting. We may have to do both. “
It’s hard to avoid digital displays even for the media accustomed to the turmoil of the runway. Collections coming out during this second year of dispersal, bringing hopes of renewed regularity into the next cold weather season, are largely as ambitious as they were. in the preseason, calling attention.
The Prada-Simons collection was in a layered relationship, with graphic prints on body partitions, faux fur coats, lined dresses and knots with naive patterns as inserts on dresses and jackets. Beyond the obvious suit, the straight jacket, there was a surprise, a rich geometric pattern sculpting or warming, fur lines. The women’s collection followed the body comfort cover of long sweaters from women’s clothing, as well as leather gloves with stretch paws.
Giorgio Armani has suspended the number of donations, a move he spoke of in April last year in a letter to Women Wear Daily, in which he explained how he believed the industry needed to grow more slowly. and recycling so that customers “see its true importance and value. ”
Armani put together a concert for men and women for Emporio Armani, which was filmed in his showroom with models crossing a curved runway of attractive colors spread in the collection as optimistic accents against neutralization.
The Emporio collection projects beyond the usual system of virus restriction to a time when one could hope to be out there regularly, but with softness. To bring men back in, Emporio wool fits a similar knit garment but has never introduced full leisure wear. Women will have similar knit dresses adorned in pants or shorts for the day, and satiny dresses with ribbon details for a return on outdoor nights. Evening spending was full of polish, both for him and her.
Armani wanted real shoes – not to get more sneakers – with boots for men and shoes with low heels or stocking boots for women.
Moschino’s Jeremy Scott kept his usual sport, throwing top models, actresses and burlesque stars who could be face guests in another time to see his Moschino digital show.
Scott led the Moschino association woman on a mashup tour from the country to a 5th Avenue shopping spree and a night out at the opera.
Hailey Bieber appeared in a double-breasted pinstripe suit with shorts and a tiny hat, carrying a Moschino Market newspaper. Amber Valletta was caught on a shopping safari in a faux gold crocodile suit, repeated with a lizard tail. Miranda Kerr tucked in a bucolic cinched-waist dress with a blue sky print over a full skirt with cows at grazing.
Dita Von Teese ended up as the queen of hearts, a heartbreaking cut on the back of the dress, under an old film-style title: The End.