When you’re most inclined to venture out there are the smallest steps you can outside of your front door, a silk jacquard gown with a Fendi logo padded with feather-filled diagonal quilts, or thermal underwear top-to-toe inspired by a rib-perfect look – complete with dungarees – make sense. This collection included these two examples of bed-to-bodega clothing, along with a “Fendi” intarsia ruffled fleece coat and some powerful colored piumino pajamas. Hidden in a clear view among them was a scene (22) that admitted Silvia Fendi was smiling stunningly this season: an evening black suit made extra thanks to her blue piping acknowledging pajama and a low-breasted low-rise build, but which was nonetheless a black evening suit.
“That’s true! For where can you go today in clothes like that? ”Silvia said of this moment to one side into the nostalgia of 2019. We were back on stage at the Fendi showroom shortly after we finished filming this collection. In her usual room Silvia was just gone with a call from one distant journalist, waiting for the next. In between, she drank chamomile tea and then broke free to go around the railings and take out details and pieces – slits in a suit and outerwear that gave a view of lining when she was moving; camel hair coats; hooded brooms; mink net jackets – this featured a collection of what she called: “very tidy – as soft as you can sleep in them – and also very functional. Clothes that make you feel good. Because I think fashion can have a therapeutic side. ” Accessories included spats-spats for indoor and outdoor non-woven footwear, and small trolleys to reflect our sleek yet ambitious body look.
As Fendi showed, many of the outfits were capable of doubling the dose of medication that could double. And the number of patients who could benefit, she said, was deliberately wide: “To avoid that fashionista look, I like to consider women’s clothing through a lot of people who keep their personality… I think in the future, fashion will be more personal, and I wanted to keep that idea in the show. ”
That show was a tight-fitting runway film filmed with samples of Fendi asking “what’s normal today” over a dynamic journey with Not Waving. In addition to a set where the light reflected the growing palette of pieces, the approach was simple and concise. “I want it to be fun and not too long … we have so much information today and I don’t think we can [ask for viewers’] density too long. ”
One interesting thing was the introduction of artwork – including that Fendi cursive writing – by Noel Fielding. It is perhaps best known in the US as the host of a newer series of Great British Baking Show, Fielding is a stalker of other British comedy – see Am Mighty Boosh and The IT crowd—Fendi said: “I like him as a man, and he’s a multi-faceted talent: writing, comedy, music, art. This is something we all need to do today, I think, to change our own skins. And speaking of healing, in its graphics you can read what you want to see, like colored yarn thrown on the floor to make a pattern. ” What Silvia wants, or at least hopes, she said, is that this collection “will be something that can be worn on the street next winter, and enjoyed for its bright colors and strong feeling. “Whether it’s still a puppy with a cocooned or newly metamorphosed imago, this Fendi collection offered options for the man at every stage of the reappearance.